The most recent issue of Monumenta Nipponica contains a detailed and carefully written review of my book Writing the Love of Boys: Origins of Bishōnen Culture in Japanese Modernist Literature (University of Minnesota Press, 2011). The review was by Michelle Mason, an associate professor of Japanese literature at University of Maryland. She writes:
Angles convincingly argues that despite occasional borrowing from and homage to Edo-period notions of nanshoku (male-male sexuality), these three artists [discussed in the book, namely MURAYAMA Kaita, 村山槐多 EDOGAWA Ranpo 江戸川乱歩, and INAGAKI Taruho 稲垣足穂] were very much products of their particular historical moment. Specifically, amid the ascendency of heteronormative models of sexuality and an ever-increasing pathologization of male-male attraction and eroticism, they grappled and experimented with, queered, and challenged the aesthetic, medico-scientific, and social trends of their day. One strength of this study is that the lives and textual productions of the men it investigates are richly contextualized within Japanese and Western literary movements, dominant and popular sexological discourses, and trends in print and visual culture. The work also presents an assortment of imported and indigenous terminology and associations that intersect and transform in novel ways to configure modern Japanese conceptualizations of beautiful boys, male-male eroticism, and modern aesthetics…. Anyone reading to the end is rewarded with a rich rendering of an extremely important historical and cultural inheritance, which, as Angles compellingly argues, profoundly informs and inspires current Japanese understanding of male-male desire.